While the 1980 Flash Gordon may be the greatest pulp-influenced piece of science fiction
to ever POP(!) on a screen (Star Wars is great and all, but give me Flash Gordon's hyper-active vortex of a take on Alex Raymond's all-out adventure stories any day), also blasting out (in this author's opinion) the greatest soundtrack EVER ("Flash!!! AAAAHHH-AAAAHHH! Saviour of the the Universe!" (with Phantom of the Paradise as a close soundtrack second), when I think of long lost Epic mags found on the bottom of piles on the floor of used bookstores, there's one band (just a bit beyond Zolar X) who stands out above all.
From their space-folk beginnings through the amazing launching pad to worlds beyond of the Lemmy Years all into the shimmering robot-Orwell-cold-war-new-wave-steel-walls-of-synth of the late 70's stuff (Quark Strangeness and Charm, 25 Years On, PXR 5....) and into the olden-day Future of the Eighties, the label Atomhenge has been LOVINGLY re-issuing long lost Hawkwind treasures while braving black-hole horizons to pack them with stunning bonus tracks and liner-notes.
I'd be far from the first person to say that Hawkwind hooks me right in and takes my imagination to places past this solar system, but I gotta tell ya from the bottom of my heart, near so many stories began by Asimov and into the upside-down worlds maybe inspired by Agent of Chaos (whether a hundred or so other writers know it or not) to Megacities and Cursed Earths, where late at night Rod Serling serves snacks and the fight for heart and humanity sits at the edge of The Quiet Earth and all inbetween and above-with the silver sheen perfection of a reflection off of Gort, Hawkwind is pure Sciene-Fiction listening perfection, with guts and brains and wildness and most of all finding that singularity between harrowing massive expansiveness and lighting-in-a-bottle-of-a-moment SPARK. (Now if only some label would re-issue the first Inner City Unit album!)
Space-helmets off to Atomhenge for their incredible dedication to the back-catalogue of mid-period Hawkwind!!!
Sunday, March 28, 2010
okay, so i just heard the new BROKEN SOCIAL SCENE record, in it's entirety and i think it's really good. FORGIVENESS ROCK RECORD was produced by john mcentire of tortoise and it definitely has glimpses of the tortoise sound - which is not a bad thing! the toronto collective is scaled down this time around with guest appearances by the usual suspects (feist, metric's emily haines and members of montreal's stars). it's a fresh new take on one of canada's finest exports. get it may 4th, get it?
Thursday, March 11, 2010
dope... did i say that right?
GONJASUFI sings, raps, dj's and teaches yoga in San Diego, California. enter the GASLAMP KILLER and FLYING LOTUS and you have "A SUFI AND A KILLER" brought to you by the fine folks at WARP RECORDS.
this is the record BECK should have made. check it out! gah!
Thursday, February 4, 2010
i know you've heard this song, like everywhere, but it's stuck in my head like a bullet from an east-side drive-by. seriously, when alicia keys comes in, it's all over. if that chorus doesn't lift you up like the hand of kong, you are dead to this world. even the kids are singing it from their car seats when we roll in the volvo.
Tuesday, December 15, 2009
Sunday, December 13, 2009
London-based dub-stepper Kevin Martin (THE BUG) has a new project called KING MIDAS SOUND which includes poet Roger Robinson and vocalist Hitomi. The new full-length album "Waiting for you..." released on the Hyperdub imprint is a chilled-out, updated version of the Bristol sound of the mid-1990's. Check it out!
Tuesday, December 1, 2009
While the video below has been out since March, CFCF's debut album on Paper Bag Records, Continent, was just recently released. Pester the folks at the counter to order you in a copy if you like what you hear (and YOU WILL like what you hear).